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However, the meteoric rise of modern blues phenomenon Gary Clark Jr., whose main guitar is also a Casino, suggests that there may be a new.


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Pros Loads of fun to play. Setup, as supplied by Epiphone, is almost too low, and it would easily suit a higher action and heavier strings - on the standard mm Clark is hardly a shredder and, of course, thanks to that lack of centre block, the neck joins the body at the 16th fret, which actually makes upper-fret work a bit of a stretch. Controlled in classic Gibson fashion with a three-way toggle pickup selector and volume and tone for each single coil, there's a host of sounds to be found here, though, it takes a little time to dial in. From the guitar's acoustic resonance, you get an idea of what's in store: it's a lively performer, with a very different, shorter and pluckier response, compared with a centre-blocked semi or, certainly, a solidbody. This is simply a very cool, unusual guitar. In its Blueburst hue - a dark blue 'bursted top with black sides, back and neck - it's far from traditional, but that suits our man to a tee. MusicRadar The No. Great value.{/INSERTKEYS}{/PARAGRAPH} And, colour aside, there are no signatures to put you off if you don't like the artist. Home Reviews. At higher gains and volume, the pickups make the guitar very lively; there's a bit of microphonic squeal, too, but control that and sustaining feedback is effortless. The wide and low frets are nicely installed on the rosewood 'board and sit over the white edge binding for maximum playing width. Speaking of necks, Epiphone has spec'd this one with a 's SlimTaper D Profile', which in the hand feels a little bigger than the relatively trim front-to-back depth. Our Verdict This is one classy package - steeped in heritage, a choice of vibrato or trapeze versions, not to mention aggressive on-the-street pricing, this is a compelling offering. That bridge pickup can be a little spiky and the neck almost a little too mellow played clean, but pull down the bridge pickup's tone control and you get forceful bite while the neck sounds effortlessly jazzy and bluesy. It's also worth noting that the Bigsby version sounds more airy than its trapeze'd sibling. That immediately gives the instrument a lightweight feel, and while the Bigsby adds weight, it also adds balance strapped on; the trapeze version is slightly neck-heavy by comparison. Never afraid to step outside of bar blues constraints, and with his latest album, The Story Of Sonny Boy Slim, just released, Clark is establishing himself as a the coolest young guitar hero around. Unlike the other Chinese-made Casinos currently offered by Epiphone, this one comes without a pickguard and with Gibson USA Ps housed under their metal covers. {PARAGRAPH}{INSERTKEYS}This is one classy package - steeped in heritage, a choice of vibrato or trapeze versions, not to mention aggressive on-the-street pricing, this is a compelling offering.